Material

Beschallung:

Allen&Heath
I-Live 176 – IDR10 – 112T – IDR48 – Madi – ACE – Ethersound – Wizard – ML4000 – ML5000 – GL2800 – GL2400 – Xone
Soundcraft
VI6
Yamaha
PM1 – PM5 – 01V – 03D – Spx990 – MSP5
Midas
H3000
Hoellstern
Delta 12.4 DSP – Delta 14.4 DSP
QSC
K10 – Pl 380
Ramaudio
S4044 – 6044 – DQL
LA-Audio
G400 – C400 – EQ231GSP
Shure
UHF R4D – UR1 – UR2 – Beta 58 – KSM9 – PSM 600/700/900 – KSM27 – Beta 87 – MX – alle Standard Mics
Sennheiser
IEM 300 G2 – G3 – MD935 – MD945 – SKM500 – SKM2000 – alle Standard Mics
Beyerdynamic
DT 770 – DT109 – DT 290
K&M
Stative – Clamps
DPA
4060 – 4061 – 4066
Chainmaster
1to D8
TW-Audio
M6 – M8 – M12 – M15 – Vera10 – S15 – S30 – BSX
EAW
Microwedge MW12
L’Acoustics
Kara – Kiva – Kilo – Sb18 – LA8 – LA-Rak
Klark Technik
Splitter
Easera Systune
Countryman
E6 Headset
Avalon
737 SP
Audio Technica
Pro35 – Pro37
Aviom
Pro 16
Teqsas
Lap-Tec
Motorola
GP 340
Clearcom
Winradio
Kenwood
XTA
DP448
TC Electronics
M-One – D-Two
Mindprint
DBX
Drawmer

Recording und Video:

Sounddevices
MicPre – 302 – 744T – 788T – Cl-9
Audio Limited
RMS 2020
Schoeps
CMC5 – CMC6 – MK41 – MK8s – MK4 – Colette – BLM03C
Neumann
KMR 81 – KMR 82 – U87
Rycote
DPA
4060 – 4061 – 4066
Audio Developments
AD 145 – AD 147 – AD 245Pico – AD 260
Micron
Explorer
Rosendahl Studiotechnik
Nanosync HD – Bonsaidrive
Klein und Hummel
O52
Genelec
1029 – 1031
Fostex
PD-4 – 6301
Panasonic
HVX 200
Sennheiser
MKH 416 – MKE2 – MKH 60 – IEM 300
Shure
PSM 200
Phonak
Microear
Tascam
HD P2 – MX 2424 – DM24
RME
Fireface 400/800 – Adi8DS – Adi8DD – HDSP9652 – HDSP MADI – Micstasy – Octamic
WK-Audio
ID-Controller
Ambient Recording
QP4140 – QL5100 – Clockit 202 – ACL301 – Timecodeklappe
Far Audio
OB 100 – XM6
Steinberg
Timebase
Fisheramps
Waves
L2

Postproduktion: